Figure Drawing: Design and Invention is an instructional figure drawing book geared towards the novice and experienced artist alike. This book emphasizes a simplified understanding of surface anatomy, in order to clarify the mechanics of the figure, facilitate invention, and ultimately create a skill-set that can be successfully applied to other media. In addition, this book fo...(展开全部)

This is a comprehensive manual of creative drawing covering everything you need to know to draw the human figure from memory and the imagination. It fires the imagination for drawing, beyond what can be posed in a studio or drawn from observation, to bring originality and style to your work. It explores anatomical structure, figure movement and character expression with practic...(展开全部)

安德鲁·路米斯（Andrew Loomis） 著名美国插画家、作家、美术教育家。他曾就读于美国艺术学生联盟，19岁时师从乔治·伯里曼学习绘画，随后发展并且延伸了乔治·伯里曼的素描绘画体系，以独特的视角撰写了多本简单易懂的经典绘画教程，对当代素描教育产生了巨大影响。此外，他还是漫威、DC众多画师的启蒙导师，影响广泛而深远。 路米斯认为：好素描必须具有说服力和感染力。因此他从绘画原理方面训练读者，使之创作出“真实的”艺术作品。各绘画技法环节，他都主张作品应尽可能源于观察、实景写生和模特动态。正是由于其独特、着实有效的艺术理念，在他去世后很长一段时间，其绘画风格仍继续影响这一大批艺术家。

Understanding how the body moves is the key to rendering clothing, as world-renowned artist Hogarth demonstrates in this unique book.

Many artists are unsure how to bridge the gap between the many basic 'how to draw' books and the more advanced ones dealing with the esoteric details of composition, perspective and anatomy. Force: Animal Drawing is the comprehensive guide to developing artistic animals that are creative, dynamic and anatomical, bridging the gap between foundational art and advanced techniques....(展开全部)

Draw Natural and Believable Clothed Figures In Drawing People, award-winning illustrator and instructor Barbara Bradley provides all the information you need to render clothed human figures with energy, detail and control. Bradley begins by teaching the basics of any drawing, including proportion, perspective and value. Next, you'll learn how to overcome the special challenges ...(展开全部)

松田行正：书装设计师。生于1948年。他将书作为艺术品对待，以设计“在书柜或桌上都具有存在意义及表达形式的图书”为理念。在从事图书设计的同时，他还运行着一家小型出版社牛若丸。自1985年起，牛若丸每年只出版一本书，都由松田行正亲自设计。除了书装设计，他还设计了很多建筑标志，执笔撰写了诸多文字作品，制作了大量信息图表。他着迷于研究各种事物的起源，最感兴趣的是文字与符号。他将自己的知识兴趣与设计理念融合，创作出《零ZEЯRO》《加et》《密码》《圆与方》《2的冒险》《偷窥一本书》《一千亿分之一的太阳系+四百万分之一的光速》等一批具有独特美感的书。他在多家设计类杂志上开设专栏，论述设计理念与实践的文章结集形成《开始物语》《图地反转》《眼的冒险》《线的冒险》《时的冒险》《设计的故事》《红色》等书。他的作品曾获得各种设计类奖项，包括日本书籍出版协会理事长奖、讲...(展开全部)

Here, in English translation for the first time, is Gilbert Simondon’s fundamental reconception of the mental image and the theory of imagination and invention. Drawing on a vast range of mid-twentieth-century theoretical resources—from experimental psychology, cybernetics, and ethology to the phenomenological reflections of Sartre and Merleau-Ponty—Imagination and Invention pr...(展开全部)

Here, in English translation for the first time, is Gilbert Simondon’s fundamental reconception of the mental image and the theory of imagination and invention. Drawing on a vast range of mid-twentieth-century theoretical resources—from experimental psychology, cybernetics, and ethology to the phenomenological reflections of Sartre and Merleau-Ponty—Imagination and Invention pr...(展开全部)